Seem like your ready to get married. Are you sure? Marriage is a big step in anybody's life, and if you're totally ready, then go for it. There might be one problem with your situation, right? There is no man in your life to married, and in some cases a woman to get married to. Don't give up, okay. I believe in you, so that means you should believe in yourself.
Believing is one thing that separates failure from success. When you believe in something that means you are waiting patiently. Haven't you notice whenever you're not willing to wait for something, you slightly have doubt about it. That's the reason for you wanting it to happen so fast, because you feel like if it doesn't happen now, then it will never happen. So, you find yourself being this way with all of your relationships, rushing and hoping to be committed to fast in the relationship or else something bad will happen and the relationship will fall apart like the rest of all of your other relationships. Bummer! Do you notice the trend?
If you want to get married, my suggestion to you is this...
"If you are not happy being single, you will never be happy in a relationship. Get your own life and love it first, then share it". I don't know whose quote this is, but I totally feel where it's coming from. I know of too many girls that are miserable about their life because they don't have a man and think they will be happy when a man is in it. Wrong, it doesn't happen that way sweetie.
When you are happy while single, you understand that a man is not your maid (he's not obligated to clean your gutters, or mow your lawn when you meet him just to show you he's into you or respect you) when you first meet him. When you are happy while single, you also understand that you don't have to always have sex for him to stay with you. And just because you do whatever he says and put your needs and wants aside for him doesn't means that he will love you forever and decide to commit and marry you. I'm sorry, but these things will do you more harm than good in all of your relationships.
I want to get married; you want to get married; we all want to get married. Abe believe it or not, all men want to get married. They may not admit, but they do. First, they must find that woman that understands them and love them for who they they are, not what they can do for her. Are you that woman? Then prove it! That's all.
Source: http://www.streetarticles.com/marriage/i-want-to-get-married-now-any-suggestions
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BY JONATHAN VALANIA If you are not already down with the broadcast brilliance that is WNYC?s Radiolab you are doing your life wrong. Every week co-hosts Jad Abumrad [pictured, below left] and Robert Krulwich [pictured, below right] create cinema between your ears. Each episode explores a big-picture topic ? time, space, sleep, identity ? and comes at it from four or five different angles, co-mingling seemingly disconnected sub-narratives into a lattice of cognition, uncannily mirroring the through lines of consciousness itself. It?s a show about understanding, that, when it works, and it pretty much always does, triggers understanding. Which is a pretty neat trick when you think about it. Radiolab mixes together audio with the precise randomness of Jackson Pollock painting. Up close it may seem chaotic and random, but step back and the method of their madness becomes readily apparent. The resulting episodes? ? heard by more than a million people each week (and downloaded in podcast form by another 1.8 million)? ? are cinematic and? trippy, deeply intellectual and yet profoundly emotional. There was an episode about sperm where a young woman searches in vain to find the sperm donor fathered her that had me in tears. I suspect I?m not alone. That?s a pretty neat trick, too. Radio that makes you learn something and sometimes makes you cry may not sound like fun, but 2.8 million of us say otherwise. In advance of their appearance at the Academy of Music June 29th ? with special guests Demetri Martin, the Pilobolus dance troupe, and musician Thao Nguyen ? we got co-host Jad Abumrad on the horn to talk shop.
track cassette recorder and I would basically write strange kind of montage-y, weird surrealistic compositions that were kind of soundtracks for imaginary films.? When I went off to school, I pretty much thought I would work toward doing soundtracks for real films.? I don?t know, school was sort of an up and down experience but I did come out and work on a bunch of student films, and one feature and a bunch of dance pieces and theatrical things.? You know I really enjoyed it.? It was great actually but I sort of encountered two problems; one of which was it was really hard to make any money doing that and also you get into a sort of mode that?s almost like a graphic designer where somebody asks you to solve a problem with music, and at that point you?re not really writing music, you?re basically making widgets that fit a certain need.? Actually I appreciated it.? It?s a really good skill but I found out I just couldn?t do it.? I would always write music that was interesting but it just kind of always became the same.? It was never really the right style to meet the demands of the people I was working for.? So I just wasn?t very good, to put it simply.? I somehow couldn?t work in that mode at that time.? At the same time I went to school for writing and I was always trying to be a writer, you know, freelancing some essays and journalistic pieces here and there.? And that wasn?t really going to well either.? At a certain point I quit my day job, which was sort of an internet thing at that point and, I remember having this conversation with my then-girlfriend, now-wife, and she was like, ?well what do you want to do?? What?s the intersection of these two things that you like to do??? It occurred to both of us that radio is kind of both.? I didn?t really listen to the radio but, it seemed like this abstract place where the two meet so I went off to volunteer for a radio station and, I don?t know how many years into the future, I?m now in this weird place that is actually kind of like a scoring film but somehow in disguise.? You know, it?s like I?m a journalist first but quietly still a musician, still a film scorer.? It?s somehow come back around for me, which has been interesting.
JAD ABUMRAD: It?s FM actually.? I think 99.5 is the frequency.? If you ask people of [Radiolab co-host] Robert [Krulwich]?s generation about WBAI they?ll tell you that was MTV of their generation.? It was like a hugely influential very well-listened-to radio station.? But when I got there it was way past its heyday and it was a bunch of dysfunctional lefties openly fighting on air.? The news department was a shambles.? There were these two completely overworked news directors.? One of them promptly left and had a sex change the moment I got there.? It was like this ragtag motley crew and they were so in need of people to help that I basically walked in and I think I was on the air that day.? And I didn?t know shit!? I knew nothing!? I barely knew how to use the equipment.? I had no concept of what it meant to be a journalist or a reporter or anything, but I just happened to walk in at a time when mic access was easy.? They were like, ?You!? Please help us!? Go cover this protest!?? So I would go out and do these obscenely long, unlistenable twelve minute pieces about whatever the protest of the moment was.? I did that for about a year and started to freelance for NPR here and there, and I did a bunch of shows here at WNYC?s On The Media and ultimately Studio 360, I did something for them and I just kind of began to sort of be around a lot.? I was working enough where I was just kind of in the building and one day in 2002, I can?t really remember the exact date, I happened to be with the program director at the time who basically had this idea to make a thing called Radio lab and to put it on really late Sunday night. I had no idea how a host was supposed to sound at that point and I had this experience again of just being thrown in way over your head, and for a couple of years filling three hours a week by myself.? I was begging people for their old documentaries and various things and in the gaps between the documentaries maybe I?d do a short little piece with some sound design but it was really just me ad hoc for a long time.
and it was about how to properly salute the flag on Flag Day.? It was just kind of one of these hilarious kitschy pieces of tape so we kind of, well, he started improvising around it and it ended up being this crazy, weird, nonsensical four minute piece where Robert [Krulwich] played like fourteen different characters and dramatized every little page of this flip book.? It?s just weird.? It has no reason for being.? I don?t know why we made it but we just thought it was hilarious.? We sent it to This American Life and they were just like, flummoxed by it.? Apparently they had many meetings about how much they hated it. So it was an early failure.? Robert thought it was hilarious, he?s like, ?they just don?t know what they?re talking about.?? But I was so new at that point and This American Life was the pinnacle of what you could do on the radio so I was mortified.
JAD ABUMRAD: Oh yeah.? We just talked to Alan about two weeks ago.? Emilie had been in rehab and then she graduated from that, and had gone through a program where she learned to walk again and ride horses even.? She?s still blind, and can?t really hear but she just graduated and both she and Alan gave the commencement speech. He?s very protective of her.? He doesn?t want the story to overshadow the things she will do.? We?ve got a lot of requests from movie people to make this into a movie but he?s always like, ?no, nope.? I don?t want her to have to live in the shadow of the story.?? He?s an extraordinary guy and her recovery is pretty amazing.![[Digg]](http://cdn1.diggstatic.com/img/favicon.a015f25c.ico){kind=small}
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